黄昏，路过田子坊，顺道看了“Lomo Yuanmin 那么元敏”摄影展。展厅不大，我是唯一的观众，静静地，与黑白照片中的市井人物一一照面。熟悉的元素，不同的构成，元敏先生用镜头的语言将上海草根阶层的千姿百态呈现在我的眼前。与多年前的《苏州河》系列相比，更多了份趣味和洒脱。
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LOMO YUANMIN – SO YUANMIN Far ahead of 2010’s World Expo, from September to November 2009 the Beaugeste Gallery has chosen to present the most Haipai of Shanghai photographers, universally recognized and respected by his peers (*), Lu Yuanmin (born in 1950) and his most creative work so far : his vision of Shanghai through the viewfinder of his Lomo camera. Starting in 2006 and for two years Lu Yuanmin, the most humanist and most classical, the most intimate photographer in China, who has been relentlessly photographing his Longtang fellowmen and his beloved Suzhou Creeks, has given up his old Seagull camera for a small Lomo. He then set out for a unprecedented creative exercise, carried away by the ease and the freedom brought by this semi gadget. He only stopped the Lomo shooting after he had used up his stock of over 500 rolls of China-made negatives and could no longer find any supply as the factory had closed down. 偶尔路过进贤路，发现了一家新开的lomo店，各种型号的lomo相机一应俱全。原本以为lomo只是一群时髦爱好者的小打小闹，没想到早已做成了产业。当商业摄影以追求色彩还原的精准、镜头制造的精密为衡量标准时，lomo却以无法预知、充满奇思怪想的色彩表现（偏色）吸引了时尚达人的视线。只是当一种摄影的方式添加了过多的时尚元素，加上胶卷的成本、打印成本、扫描成本，lomo变成了一种高成本的奢侈运动或者艺术行动。 lomo，在我看来这是一种随心所欲记录生活的方式，一种生活的态度，一种文化的传递，一种情感的表达。lomo何必非要lomo相机呢，单反、卡片机，甚至手机，只要你有这份心情，随时随地地shot吧～～～下面的照片全部用blackberry8900拍摄，有lomography照片展览的，也有街头的随拍，我的lomo我做主。 |
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